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London Symphony Orchestra/Sir Simon Rattle
Janáček’s hilarious satire about art, lunar travel, nationalism – and sausages.
Classical concerts featuringPeter Hoare
Overview
Quick overview of musician Peter Hoare by associated keywords
CitiesFrequently performs in
Germany
Hamburg
7
Germany
München
4
United Kingdom
London
2Luxembourg
Luxembourg
1ProgramFrequently performs
Works by
Richard Strauss
4
Works by
Richard Wagner
4
Works by
Alban Berg
2
Works by
Arnold Schönberg
2Works by
Leoš Janáček
2MusiciansFrequently collaborate with
Musician
Lukáš Zeman
8
conductor
Sir Simon Rattle
8Musician
Aleš Briscein
6Musician
Arttu Kataja
6Musician
Clara Nadeshdin
6New Arrivals
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Upcoming Concerts
Concerts featuring Peter Hoare in season 2024/25 or later
May 4, 2025
May 23, 2025
Alban Berg: Wozzeck
Elbphilharmonie, Großer Saal (Hamburg)
As part of the Hamburg International Music Festival, the NDR Elbphilharmonie Orchestra devotes itself to an epoch-making opera under the direction of its principal conductor Alan Gilbert: Alban Berg’s »Wozzeck«. With its sensitive and completely honest portrait of a society undermined by militarism and the abysses into which it thrusts people, the opera became one of the greatest achievements of the Weimar Republic – an achievement which continues unabated to this day. In the band of opera stars, who embody the characters in this harrowing drama, one stands out in particular: Matthias Goerne in the title role of a young soldier on the verge of insanity. Started immediately before the outbreak of the First World War, Alban Berg only found the necessary peace to complete his first opera after his military service in the Austrian army. Against the backdrop of the war years, Berg felt all the closer to his protagonist and the opera ultimately became a sounding memorial against militarism and its social impacts. A whole series of productions in opera houses in the German-speaking region soon followed the potentially scandalous Berlin premiere in 1925 – until the piece was banned by the Nazi regime as »degenerate art«. However, this could not stop the global success of this opera.
May 25, 2025
Alban Berg: Wozzeck
Elbphilharmonie, Großer Saal (Hamburg)
As part of the Hamburg International Music Festival, the NDR Elbphilharmonie Orchestra devotes itself to an epoch-making opera under the direction of its principal conductor Alan Gilbert: Alban Berg’s »Wozzeck«. With its sensitive and completely honest portrait of a society undermined by militarism and the abysses into which it thrusts people, the opera became one of the greatest achievements of the Weimar Republic – an achievement which continues unabated to this day. In the band of opera stars, who embody the characters in this harrowing drama, one stands out in particular: Matthias Goerne in the title role of a young soldier on the verge of insanity. Started immediately before the outbreak of the First World War, Alban Berg only found the necessary peace to complete his first opera after his military service in the Austrian army. Against the backdrop of the war years, Berg felt all the closer to his protagonist and the opera ultimately became a sounding memorial against militarism and its social impacts. A whole series of productions in opera houses in the German-speaking region soon followed the potentially scandalous Berlin premiere in 1925 – until the piece was banned by the Nazi regime as »degenerate art«. However, this could not stop the global success of this opera.
June 7, 2025
Salome
Hamburgische Staatsoper, Großes Haus (Hamburg)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
June 12, 2025
Salome
Hamburgische Staatsoper, Großes Haus (Hamburg)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
June 14, 2025
Salome
Hamburgische Staatsoper, Großes Haus (Hamburg)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
June 18, 2025
Salome
Hamburgische Staatsoper, Großes Haus (Hamburg)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell